略歴
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Editing, writing and facilitation
TAKEO Mayumi
竹尾 真由美
主に、編集・執筆・企画・プロジェクトファシリテーションなどを行っています。
地方新聞記者を経て、現代アートプロジェクトを手がけるBEPPU PROJECTに勤務。事業の企画運営から携わり、主に中小企業とデザイナーの協働を促すための、Webメディア運営・イベント企画・協働の中間支援などを担当しました。
2022年に編集者として独立。相談の内容に応じてプロジェクトの企画や編集・執筆・進行サポートなどを行なっています。民間企業・福祉関係団体・行政・デザイナーの方々などチームのメンバーや内容もさまざまで、担う役割も都度変わりますが、いずれも言語化を軸としています。
制作物を良いものにすることはもちろんですが、関わる人それぞれが力を発揮し、ときにはお互いの領域を越えながら、より良くなっていくプロセスも大切にしています。社会のあたりまえや小さな違和感が、少しずつ変化していくことへの関心も、仕事の根っこにあるような気がします。
大分を拠点に九州を中心に活動しています。エリアにかかわらず気軽にご相談ください。
Editor, writer, and project facilitator based in Oita, Japan.
After working as a regional newspaper journalist, I joined BEPPU PROJECT, an NPO working in contemporary art and related fields. I was involved from the planning and operational side, focusing mainly on initiatives to foster collaboration between small businesses and designers: running a web media platform, organizing design events, and providing intermediary support for collaborative projects.
I went independent as an editor in 2022. Since then, I've been involved in a wide range of projects: planning, editing, writing, and project management working with companies, welfare organizations, public bodies, designers, and more. The teams and the work vary considerably, and so does my role, but putting things into words is always at the centre of what I do.
Making the final work as good as it can be matters, of course. But I also care about the process: about creating conditions where everyone involved can bring their strengths, and sometimes step beyond their usual role, so that the work grows through collaboration. And somewhere at the root of it all is an interest in the small frictions and unquestioned assumptions of everyday life, and in nudging them, gradually, toward change.
Based in Oita, I work mainly across Kyushu, but please feel free to get in touch wherever you are.